《SPACE DESIGN·知味观·味庄》

味庄餐厅改造项目位于杭州西湖，与花港观鱼入口相对而望。设计以“如何借势游客流量”“如何在非正餐时段聚拢人气”为切入点，提出“看与被看”的主题——让餐厅可观景，亦成为被观的景，打造一处现代中式餐厅。同时，从宋画中提取“檐、廊、院”的空间逻辑，重构整体动线，让用餐体验从“入座”转为“行走”，营造一家可以慢慢享受时光的餐厅。

Weizhuang restaurant renovation is located at West Lake, Hangzhou, facing the entrance of Huagang Guanyu. The design addresses “how to leverage tourist flow” and “how to attract visitors during non-meal hours,” proposing the theme of “seeing and being seen” — making the restaurant both a place to view scenery and a scenery to be viewed. It also extracts the spatial logic of “eave, corridor, courtyard” from Song paintings to restructure circulation, shifting dining from “seated” to “strolling,” creating a restaurant where time can be slowly enjoyed.

设计通过拉长檐下灰空间，形成连续的行走路径，替代传统直接入座的用餐方式。户外置入檐下空间，冬日辅以取暖器，提升户外舒适度。在此落座，既可远眺西湖景致（看），又因檐下通透而成为园中游客的取景对象（被看），场地优势被充分激活。动线从“入座”转为“行走”，让用餐体验被重新组织，引导人在漫步中停留、观望与互动。

The design extends the gray space under eaves to form a continuous walking path, replacing traditional immediate seating. Outdoor eave space is introduced, with heaters in winter for comfort. Seated here, one can gaze at West Lake (seeing), while the transparent eave makes the space a subject for park visitors’ cameras (being seen) — fully activating the site’s potential. Circulation shifts from “seating” to “walking,” reorganizing the dining experience and guiding people to pause, observe, and interact while strolling.

外立面以宋代建筑为灵感，深灰金属勾勒层叠飞檐，置入花窗样式。建筑本身成为湖畔的视觉焦点，供游人驻足观看；同时，窗内视线可向外延伸，完成“看”与“被看”的双向叙事。与花港观鱼对望处，设置宋式可开合糕点铺——三扇可完全向上开启的木制窗板构成动态立面：路人看铺内烟火，客座看街巷往来，“看与被看”在开合之间自然流转。

The facade is inspired by Song Dynasty architecture, with dark gray metal outlining layered flying eaves and incorporating lattice window patterns. The building becomes a visual focus on the lakeside, inviting passersby to stop and view. Meanwhile, sightlines extend outward from inside, completing the bidirectional narrative of “seeing and being seen.” Opposite Huagang Guanyu, a Song-style openable pastry shop features three wooden window panels that lift fully upward, creating a dynamic facade: passersby watch the bustle inside, while seated guests watch street life — “seeing and being seen” flows naturally through opening and closing.

以隔墙分隔客座，将宋式花窗样式转译于其上。视线因花窗而贯通，空间更加通透——客人既能看到邻座人影绰约，又保持适当边界；内外视线交织，处处呼应“看与被看”的主题。餐厅周边环境优美，以窗景完成借景入室，让自然山水成为用餐的背景。

Seating is divided by partition walls, onto which Song-style lattice window patterns are translated. Sightlines pass through the lattice, making the space more open — guests see neighboring figures in soft focus while maintaining appropriate boundaries. Interior and exterior views interweave, echoing the theme throughout. The restaurant’s beautiful surroundings bring natural scenery indoors through window framing, making the landscape the backdrop for dining.

深灰色金属勾勒檐口线条，木制窗板与花窗呼应宋代美学，整体色调沉稳雅致。檐下灰空间拉长，形成光影交错的行进路径，营造出既可远观、又可近游的松弛场所。

Dark gray metal outlines the eaves, while wooden window panels and lattice windows echo Song aesthetics. The overall palette is calm and elegant. Extended gray space under eaves creates light-and-shadow paths, producing a relaxed place for both distant viewing and close wandering.

我们期望打造的不仅是一处餐厅，而是一个可漫步、可停留、可双向观看的“景中驿站”——让用餐行为与西湖山水、游人视线交织成一场持续的对话，激活非正餐时段的场所人气。

We aim not merely for a restaurant, but a “station within scenery” where one can stroll, pause, and engage in bidirectional viewing — weaving dining behavior with West Lake’s landscape and visitors’ gazes into an ongoing dialogue, activating the site’s non-meal hour vitality.